Dracula by Bram Stoker gender and sensuality Essay

Dracula by Bram Stoker gender and sensuality - Essay pillowcaseIf an issue that engulfs the important fields like science, sociology and philosophy, it is sex and gender. It is extensively discussed and the viewpoints argon similar as well as contradictory. In some areas in Dracula, they are simply confusing. One finds Stoker is also seized with similar problems and is unable to adhere to a fixed viewpoint. He challenges the popular view of the distinctness of gender boundaries and at other times, steadfastly supports them. Stocker subscribes to the commonly accepted view of the Victorian authors that the assigned status of the women is natural and correct and it is essential to maintain them for the success of gender traffic and for overall welfare of the society. Those who transgressed the prescribed limits were considered as aberrant and degenerate. Victorians had a fair assessment of the roles of both the sexes. Since ages, and in Victorian times in particular, mans power has b een progressive, active and defensive and the power of woman is sweet, persuasive, orderly arrangement, astute in decision making and her sixth sense works well which makes her unable(predicate) of error. As said earlier, Stockers viewpoint on gender and gender is traditional, but gender blurring is depicted in Dracula by Mina Harker and Lucy Westenra. The virile characters in the novel also follow suit and deviate from the prescribed path. To be specific, Jonathan Harkers encounter with the female vampires The sexual roles detract an about--turn as for vampires in Draculas castle. ... Stoker writes about her arrogance, (1994, p.46) How dare you touch him, any of you? This man belongs to me Yes, I too can loveI promise you that when I am done with him you shall kiss him at your will. More of feminism engulfs the men folk in Dracula. Dr. Van Helsing, while in carriage with Dr. Seward, after Lucys(first) death, goes hysterical, cries and laughs, honest as a woman does (p. 186). T he feminine characteristics attributed to a man are clearly depicted. Stoker does tight rope-walking to elucidate his views on gender and sexuality in Dracula. It is not possible for him to express his rigid views on the subject of human sexuality, and he goes by what he sees in the total cultural context familiar in the society then. Sexuality in Dracula is intriguing going by the established standards, but support to the wrong ideals on sex, makes the story to a greater extent interesting and popular. At a cursory glance, the story appears to relate to the horrifying tale of Count Dracula, but on detailed analysis, one sees the gender and sexuality issues of the era are embedded in the story. But the issues that catch the attention of the readers are the means adopted by women to counter female repression, the lead they take for sexual advances, and the submissiveness of the male characters like Jonathan Harker and Van Helsing and how Mina Murray is subjected to repression becaus e of the aggressiveness and dominance of the male gender. The contradictions in the sexual roles make it tough for the even analysis and rendition of Dracula. This is due to the polyphonic nature of Dracula. The scene in which Dracula makes, either through force or seduction, Mina to drink blood from his chest (p. 336)